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2013 Conference Sessions
Invited Speakers
Invited Clinicians
Complete Session List
Invited Speakers
and Their Sessions
Keynote: Dr. Tim
Lautzenheiser Choosing Excellence is Easy: Maintaining
it is the Key to Success. We are all committed
to excellence in our teaching; however, the journey offers some
interesting twists and turns. We lead our students to quality by
constantly improving ourselves. Success begets success.
Dr. Tim Lauzenheiser will also present the following
session: Essential Elements
This clinic, combining proven pedagogy with cutting-edge
technology, focuses on positive techniques to develop beginners
and retain them as music makers for a lifetime.
Special guest Christopher Woodside
from NAfME will present several sessions on advocacy and will
also speak during the General Membership Meeting.
Advocacy Sessions: Understanding Coalition Building
and Messaging for Advocates An in-depth look at
the necessary components for building a successful advocacy
coalition and enacting targeted, issue-specific messaging
strategies aimed at achieving tangible results. Featuring
interactive activities and a discussion of ongoing issues in the
field.
Federal Education Policy and the
Trickle-Down Effect A post-election analysis of
federal education issues in 2013 and beyond, with a strong focus
on arts education funding, teacher evaluation best practices,
certification, accountability, and public vs. public charter
education. The central theme of this dialogue will be how these
issues can impact teachers in Massachusetts now and in the
future. NAfME's work with The Music Education Policy Roundtable
and many other advocacy coalitions will be discussed, and
attendees will be encouraged to participate in a Q&A session.
Groundswell Live: Advocates Fishbowl Discussion
An open dialogue between advocates moderated by
NAfME's federal lobbyist, aimed at sharing success stories and
failures, swapping strategies, discussing emerging policy
resources, and building capacity for future advocacy activities.
Featuring a comprehensive review of NAfME's Groundswell website
and other advocacy tools.
Additional invited
guest clinicians:
Dorothy Straub,
Past President of the National Association for Music
Education.
Dorothy Straub and Jeff Albright will present
a session entitled How a non-String Player can
Become a Successful String and Orchestra Teacher.
This session will present practical ideas for how and why to
become a successful string and orchestra teacher. It is also
applicable to choral directors and general music teachers.
Dorothy Straub retired as K-12 Music
Coordinator for the Fairfield, Connecticut Public Schools. She
served as President of MENC from 1992 to 1994, when the National
Standards for Music were developed. She is currently a member of
the Board of Directors of the Midwest Clinic. Dorothy taught
strings and orchestra at all levels from elementary through high
school to the university level. She was the Assistant Music
Director and Conductor of the Concert Orchestra of the Greater
Bridgeport Youth Orchestra and was a violist in both the
Greenwich Symphony and Greater Bridgeport Symphony Orchestras.
She is active as a string and orchestra clinician and workshop
presenter for string education. Jeff Albright
teaches 4th and 5th Grade Orchestra and Strings in
Fairfield, Connecticut. He plays viola in the New Haven Civic
Orchestra and trumpet in the American Chamber Orchestra. He
served as a woodwind and brass coach for the Greater Bridgeport
Youth Orchestras. Jeff graduated from the Juilliard School with
a Bachelor's and Master's Degree in Trumpet Performance.
Dr. Juan Tony Guzmán
Conductor, composer, arranger, and music
educator from the Dominican Republic. Guzmán is currently
director of the jazz program and associate professor of music
education at Luther College in Decorah, Iowa. He has conducted
All-State, honor festivals, recording studio, shows, summer
camps choirs, concert bands, jazz bands, and orchestras in
several countries during the past thirty years. He has written
many arrangements of Caribbean and Latin American music, some of
which are published by Boosey & Hawkes and Oxford University
Press. Recent clinics and presentations include the Dominican
Republic National System of Youth Orchestras, World Choral
Symposium, the Music Educators National Conference, Associação
de Regentes de Corais do Brasil, The Association of British
Choral Directors, the Scottish Association for Music Education,
and the Festival 500 in Canada, among others. Guzmán holds a
Ph.D. in Music Education from the Florida State University and a
degree in Electromechanical Engineering from the Universidad
Católica Madre y Maestra in Santiago, Dominican Republic. Guzmán
received a bachelor's degree from Luther College, and a master's
degree from Florida State University in music education. While
attending Florida State, he also received a certificate in
pedagogy of music theory. He frequently serves as a guest
conductor, clinician, and adjudicator in national and
international festivals.
Dr. Guzmán's Sessions:
1. Latin American Choral Music: The Spanish
Caribbean.
A lecture-demonstration on the basic styles and
performance practices for the interpretation of Caribbean choral
music. The central idea is how Caribbean music could be
understood as the syncretism of West African and Spanish
cultures. The main points are: 1) How the elements of music
style -- such as rhythm, melody, harmony, counterpoint, texture,
form, and text -- have specific traits in traditional music of
the Caribbean. 2) How the understanding of the strong
relationship between dance and music is essential for good
interpretation of most Caribbean styles. 3) Rhythmic
patterns define Caribbean styles, in which percussion
instruments and guitar are preponderant. 4) There is a wide
variety of Caribbean vocal music genres, and consequently,
choral music. 5) Rehearsal techniques incorporating the
previous principles.
The following two sessions will be of
interest to directors of instrumental and vocal ensembles
(all levels), and General Music teachers.
2. Afro-Caribbean Percussion
Instruments in Vocal and Instrumental Ensembles
(Workshop) Learn techniques for playing and using congas,
bongos, clave, guiro, maracas, cowbells, timbales, and tambora.
Demonstration of appropriate piano and guitar accompaniment
patterns with corresponding dance steps. The teaching and
learning in this session uses an onomatopoeic approach to learn
the percussion patterns, without note-reading. However, at the
end of the session and for future reference, we provide a
handout with notated patterns. Participants in this session
should bring some of these instruments to have hands- on
experience. 3. Latin American Choral Music: Reading
Session An examination of choral octavos of
characteristic styles from the Dominican Republic (pambiche,
bolero, merengue), Venezuela (joropo), Argentina (canción),
Chile (cueca), Haiti (vaksin), Mexico (mariachi songs), Cuba
(son), and Brazil. The choral arrangements for this session are
for 1) different combinations of voices and levels (treble,
SATB, SAB, a cappella, with piano and instrumental
accompaniment), and 2) different characters and tempi. Each
piece is introduced with brief comments on style, diction,
phrasing, articulation and rehearsal tips. The participants will
listen to recorded interpretation by Latin American choirs, and
then read the choral arrangements.
4. Latin American Styles and the
String Orchestra Mexican Mariachi, Cuban Charanga,
and Argentinean Tango ensembles include bowed string
instruments. Their repertoire and styles suits well the school
string orchestra. This session explores the basic string
techniques required for stylistic interpretation. Intended for
the non-string player orchestra conductor.
Complete
Session List
This list is in chronological order.
Thurs 8:00 AM, Skyline
Clinic
Planning Purposeful
Curriculum: Anatomy of a General Music Unit, Pt. 1
Clinician(s): Dr. Sandra Nicolucci,
Boston University
Presider: April Allegrezza, Milton
Public Schools
Do you sometimes feel that your
general music lessons drift from topic to topic with no
long-range curricular vision or goal in mind? Or are you
overwhelmed by the large number of state and national
standards when your teaching time is so minimal? To make
the most of the limited time allocated for general music
instruction, participants will learn about the
components of a strong general music unit. Principles
from Understanding by Design (Wiggins and McTighe) are
adapted to meet the specialized needs of general music
teachers. Come and gain confidence with "enduring
understandings," "essential guiding questions," unit
"recipe cards," and curriculum mapping. Discover how
great it feels to be more purposeful in your teaching!
Thurs 9:10 AM,
Waterfront 1AB
Commercial Session
What's New in Music
Technology
Clinician(s): Jason Panucci, Romeo
Music
Presider: John Hagon, Berklee College of Music
An overview of cool new technology
gadgets for all music educators! Keep up to date and
find out what is now available to help music educators
K-12. See the newest digital recorders, video recorders,
portable sound systems, wireless innovations in sound,
and great practical new additions to the world of
technology that enhance the world of the music educator
and the music student!
Thurs 9:10 AM,
Waterfront 3
Hands-On
Broadening Your Base: From
Zero to Mariachi!
Clinician(s): Marcia Neel, Music
Education Consultants, Inc.; Jose Hernandez, Sol de
Mexico
Presider: Jeff Taylor, Dedham
Public Schools
You CAN go "From Zero to Mariachi"
in a short time and engage MANY MORE STUDENTS in your
school's comprehensive music program. Famed Grammy
recording artist, Jose Hernandez, Director of the
world-renowned Mariachi Sol de Mexico, and Marcia Neel,
former supervisor of the nation's largest mariachi
education program in Las Vegas, NV, team up for this
exciting, hands-on session. Explore the musical
traditions of Mexico and learn how to share these styles
with students. Play/sing pieces that can be easily
performed by upper elementary through high school
ensembles. Instruments are provided courtesy of West
Music.
A proud 5th generation mariachi
musician, Maestro Hernandez' roots trace back to 1879 to
the birthplace of mariachi, Jalisco, Mexico. He is the
first mariachi musician to have arranged, composed and
conducted for numerous international symphony
orchestras. His platinum-selling Mariachi Sol de Mexico
became the first mariachi ensemble to be nominated twice
for a Grammy. It has been well documented throughout the
world that Hernandez and his Mariachi Sol de Mexico are
not only responsible for setting a new standard for all
mariachi ensembles today, but also for immortalizing
this wonderful, passionate music.
Thurs 9:10 AM,
Beacon Hill 1
Hands-On
The Heart Map: Sharing Our
Stories through Music
Clinician(s): Dr. Sandra Howard,
Keene State College
Presider: Leeanne Porta, Pembroke
Public Schools
This session will encourage music
educators to incorporate an effective cross-curricular
activity to foster a positive classroom community and
encourage students' self-expression. Participants will
create their own Heart Maps and explore ways to expand
the activity in order to address all NAfME standards
K-12
Thurs 9:10 AM, Cambridge Complex
Hands-On
From "Ah" to "Ah-Ha": A
Creative Process for Voice Building
Clinician(s): Dr. Stephen Paparo,
University of Massachusetts Amherst
Presider: Dr. Lisa Lehmberg,
University of Massachusetts
This interactive session offers a
fresh perspective on building vocal technique.
Participants will learn a process for developing the
essential skills of singing, based on the learning model
of the Feldenkrais Method, that will help empower
students to make their own creative discoveries about
vocal skill building and artistic singing.
Thurs 9:10 AM,
Back Bay Complex
Clinic
Methods and Techniques for
Recorder Instruction in Instrumental and Vocal/General
Classrooms
Clinician(s): Dr. Kathy Liperote,
Eastman School of Music
Presider: Rosemary Sears,
Somerville Public Schools
What are the activities that
prepare students to play, read, improvise, and write
music with comprehension, and how should those
activities be sequenced? This session focuses on early
aural skills development using recorder and ways to link
those skills to recorder performance. Discussions and
demonstrations will include rote songs, tonal and rhythm
patterns and syllables, and beginning improvisation and
composition. Student video included.
Thurs 9:10 AM,
Federal Complex
Commercial Session
Introduction to
Improvisational Singing
Clinician(s): Martin Swinger, Arts
Are Essential, Inc.
Presider: Sean Wright, Fabulous
School of Music, Beverly
An introduction to inventing vocal
music in the moment. Martin Swinger provides simple
building blocks for creating exciting improvisations. In
a safe and supportive environment, skatting exercises
are practiced over a musical "bed." Then simple
improvisational forms (See-Saw, Traveling Duo) progress
into small ensemble forms (Traveling Trio, Home,
Orchestra, Sound Wave, Voicestra). Simple exercises
scaffold comfortably into complex and surprisingly
satisfying compositions. These exercises transfer easily
into the classroom. Students discover individual
strengths and develop deep listening skills; they learn
to be a dependable ensemble member and music creator
directing the entire group.
Thurs 9:10 AM,
Skyline
Clinic
Planning Purposeful Curriculum: Anatomy of a
General Music Unit, Pt. 2
Clinician(s): Dr. Sandra Nicolucci,
Boston University
Presider: April Allegrezza, Milton
Public Schools
Do you sometimes feel that your
general music lessons drift from topic to topic with no
long-range curricular vision or goal in mind? Or are you
overwhelmed by the large number of state and national
standards when your teaching time is so minimal? To make
the most of the limited time allocated for general music
instruction, participants will learn about the
components of a strong general music unit. Principles
from Understanding by Design (Wiggins and McTighe) are
adapted to meet the specialized needs of general music
teachers. Come and gain confidence with "enduring
understandings," "essential guiding questions," unit
"recipe cards," and curriculum mapping. Discover how
great it feels to be more purposeful in your teaching!
Thurs 11:00 AM,
Plaza Ballroom
Lecture
Keynote: Choosing
Excellence Is Easy: Maintaining It Is the Key to Success
Clinician(s): Tim Lautzenheiser,
Attitude Concepts for Today, Inc.
We are all committed to excellence
in our teaching; however, the journey offers some
interesting twists and turns. We lead our students to
quality by constantly improving ourselves. Success
begets success.
Thurs 12:30 PM,
Waterfront 1AB
Clinic
Social Networking and Music
Composition: Perfect Together
Clinician(s): Dr. Jim Frankel,
Music Sales Corp.
Presider: Sean Hagon, NEC School of
Continuing Education
Come and see some fantastic new
cloud-based composition resources for music educators
and their students. An online environment, monitored by
educators, can encourage students to post their own
compositions for feedback and promotion. Find out how
you can get your students composing online. Many
low-cost and free resources will be shared.
Thurs 12:30 PM,
Waterfront 2
Clinic
Essential Elements
Clinician(s): Tim
Lautzenheiser, Attitude Concepts for Today, Inc.
Presider: Dr. David Neves, Needham
Public Schools
This clinic, combining proven
pedagogy with cutting-edge technology, focuses on
positive techniques to develop beginners and retain them
as music makers for a lifetime. This session is
sponsored by Hal Leonard.
Thurs 12:30 PM,
Waterfront 3
Lecture
Latin American Choral
Music: The Spanish Caribbean
Clinician(s): Dr. Juan Tony Guzman,
Luther College
Presider: Megan Bergeron, Billerica
Memorial High School
A lecture-demonstration on the
basic styles and performance practices for the
interpretation of Caribbean choral music. The central
idea is how Caribbean music could be understood as the
syncretism of West African and Spanish cultures. The
main points are: 1) How the elements of music style --
such as rhythm, melody, harmony, counterpoint, texture,
form, and text -- have specific traits in traditional
music of the Caribbean. 2) How the understanding of the
strong relationship between dance and music is essential
for good interpretation of most Caribbean styles. 3)
Rhythmic patterns define Caribbean styles, in which
percussion instruments and guitar are preponderant. 4)
There is a wide variety of Caribbean vocal music genres,
and consequently, choral music. 5) Rehearsal techniques
incorporating the previous principles.
Thurs 12:30 PM,
Beacon Hill 1
Hands-On
Speech Ensembles in the
Music Classroom: Meeting All NAfME Standards in One
Lesson!
Clinician(s): Dr. Sandra
Howard, Keene State College
Presider: Kris Lariviere Hill,
Mashpee Public Schools
This session will focus on
implementing speech ensembles in the general music
curriculum as a means to reinforce each of the NAfME
National Standards with K-12 music learners. Attendees
will analyze existing speech ensembles, compose, and
perform their own speech ensembles. The session will
include a discussion on curricular development using
this activity and attendees will receive sample speech
ensembles and templates to use as handouts in the
classroom.
Thurs 12:30 PM, Beacon Hill 2&3
Clinic
Federal Education Policy
and the Trickle-Down Effect
Clinician(s): Christopher Woodside,
National Association for Music Education
Presider: Dr. Noreen Diamond
Burdett, Milton Public Schools
A post-election analysis of federal
education issues in 2013 and beyond, with a strong focus
on arts education funding, teacher evaluation best
practices, certification, accountability, and public vs.
public charter education. The central theme of this
dialogue will be how these issues can impact teachers in
Massachusetts now and in the future. NAfME's work with
The Music Education Policy Roundtable and many other
advocacy coalitions will be discussed, and attendees
will be encouraged to participate in a Q&A session.
Thurs 12:30 PM,
Cambridge Complex
Clinic
El Sistema: Every Child Can
Clinician(s): Graciela Briceno,
Boston Public Schools
Presider: Christy Whittlesey,
Chelmsford Public Schools
Every child can learn to experience
music deeply and receive its many benefits. While many
educators have heard of El Sistema, the Venezuelan
program that uses music instruction as a vehicle for
social change, there is still some mystery about how El
Sistema functions within our existing music education
community. This session explains the mission and
fundamental elements of El Sistema, and how every music
teacher can incorporate them into his or her teaching
practice. El Sistema programs create a musical,
community environment, where students help each other
through the learning process and grow to understand the
values of perseverance, teamwork, and respect.
Thurs 12:30 PM,
Back Bay Complex
Hands-On
Musical Games that Teach
the Standards
Clinician(s): Steve Damon, A
Natural Music School; Joyana Damon, Vernon VT Elem
School
Presider: Leeanne Porta, Pembroke
Public Schools
The presenter will engage
participants in tried and true musical games appropriate
for substitute music teachers. The result of
implementing these activities will be
substitute-supervised music class in which the children
are directing themselves in national standards-based
games so the music teacher can go to a music
professional development day without disrupting anyone's
prep time!
Thurs 12:30 PM, Federal Complex
Clinic
Music with a Conscience:
Revolution, Conflict and Artistic Freedom
Clinician(s): Libby Allison,
Berklee College of Music
Presider: Ruth Debrot, Sharon
Public Schools
Middle school students question
everything and push limits as far as they can. It is
their job to push away from childhood to discover their
future. It is often a challenge to engage these students
with music that will help them to understand the context
of music in their own lives, in their own lifelong
learning, and in the lives of others who have come
before them. This session will present ideas for
curriculum development to engage their "inner
revolutionary," as well as alternative classroom
techniques for teachers, to encourage music making and
to explore repertoire that has been viewed as a tool
and/or a balm in change, innovation, and conflict.
Thurs 12:30 PM,
Skyline
Lecture
A Mindful of Music: Validating Music Education
through Brain Research
Clinician(s): Dr. Dee Hansen, The
Hartt School, University of Hartford
Presider: David Jost, Westborough
Public Schools
Brain Research is providing music
educators with increasingly strong evidence of the links
between phonological processing and auditory skill
development. This session unveils the converging paths
of music learning and reading literacy illuminated by
neuroscientists and other brain researchers with fluency
and prosody (pitch, stress, rhythm, juncture) as the
focus. Extensive resources will be provided for purposes
of advocating and educating administrators, parents, and
peers.
Thurs 12:30 PM, South End
Lecture
Case Studies of Two
Contrasting Senior Citizens' Musical Ensembles
Clinician(s): Dr. Lisa Lehmberg,
University of Massachusetts
Presider: Cami Tedoldi, Foxboro
High School
Results will be shared from two
case studies conducted within the same retirement
community in the southeastern United States, sharing the
same research purpose and questions, but examining
contrasting musical ensembles. The purpose of the
studies was to investigate musical group participants'
musical histories and learning processes, and the
contributions of these to quality of life. The studies
were conducted by Lisa Lehmberg, University of
Massachusetts and C. Victor Fung, University of South
Florida, and will be presented by Lisa Lehmberg. Across
case meta-themes and implications will be discussed.
Opportunity will be provided for attendees to comment or
ask questions.
Thurs 1:45 PM,
Plaza Ballroom
Concert Hour
Thurs 1:45 PM,
Waterfront 1AB
Lecture
Telematic Performance
Clinician(s): Joshua Emanuel, St.
Gregory Barbarigo School
Presider: Sean Hagon, NEC School of
Continuing Education "Telematics"
is the interaction between humans and computers. In the
summer of 2012, high school students in Anderson, IN
played a concert with musicians in Indianapolis, IN. By
using the Internet and high-quality video communications
software, the musicians were all able to perform
together. This session explains the process of
organizing and performing telematic music as well as the
educational benefits it has for the students.
Thurs 1:45 PM,
Waterfront 3
Clinic
Music IS Literacy: Making
Connections Between K-5 Music Learning and the
Massachusetts Frameworks for Literacy
Clinician(s): Janet Welby,
Arlington Public Schools
Presider: Steve Damon, A Natural
Music School
Some of the most dramatic changes
in public education are taking place now. One trend is
the goal of school districts to place a heavy emphasis
on literacy; to address the needs of the literate person
of the 21st century. This clinic will help you as music
teachers make connections between established K-5 music
frameworks and the Massachusetts Curriculum Framework
for English Language and Literacy. Your students can
gain the skills of an expressive, purposeful, and
"literate" individual through songs and their stories,
listening examples, chants, movement, instrumental
accompaniment, and other forms of creation. Bring your
imagination and comfortable shoes.
Thurs 1:45 PM,
Beacon Hill 2&3
Clinic
How to Successfully Recruit
& Retain Instrumental Music Students: A Practical Guide
to Recruitment & Retention
Clinician(s): Marcia Neel, Music
Education Consultants, Inc.
Presider: Dr. Matthew Finnegan,
Boston College High School
Based on "best practices" from
highly successful instrumental music educators, the
Music Achievement Council has compiled numerous tools
that cover every aspect of recruiting and retaining
instrumental music students. Because it covers the
fundamentals in great detail, this material is perfect
for future teachers as well as new and experienced
teachers. It not only provides sample forms and letters
that are ready-to-use in your recruitment process, but
also provides retention ideas that can be implemented at
any stage of the school year. At the conclusion of the
session, each attendee will receive a complimentary jump
drive containing a copy of this newly published,
must-have resource.
Thurs 1:45 PM,
Cambridge Complex
Commercial Session
Songs For Your Recorder
Concert
Clinician(s): Ed Sueta, Macie
Publishing Company
Presider: Robert Kirby, Holy Family
School, Rockland
Are you looking for recorder
arrangements to play at your concert? Come to Ed's
session and play songs that are guaranteed to delight
both your students and parents. The pieces are available
in a new Duet, Trio, and Jazz Concert Series and include
an alto part and CD accompaniment. Each participant will
receive a complimentary Kingsley Kolor Soprano Recorder
and several alto recorders will be given as door prizes.
Be sure to attend!
Thurs 1:45 PM,
Back Bay Complex
Commercial Session
Scat Singing for Kids
Clinician(s): Sharon Burch, Freddie
the Frog Books
Presider: Jim O'Dell, The Boston
Conservatory
A fun way to introduce kids to jazz
and scat singing. Scat singing is the easiest way for
kids to begin developing their jazz chops, but singing
nonsense syllables as a soloist can be unnerving.
Inhibitions disappear when using a story to introduce
kids to scat singing, and then extend the learning with
group scatting, flashcard instruction, scatting
partners, and classroom rhythm instruments.
Thurs 3:10 PM,
Plaza Ballroom
Reading Session
High School Choral Reading
Session
Clinician(s): Josh Nannestad,
Milford Public Schools
Presider: Kayla Werlin, Longmeadow
Public Schools
A variety of choral music for
various voicings and levels of choirs will be presented.
Thurs 3:10 PM,
Waterfront 1AB
Clinic
SmartMusic in Your Band,
Choir, and Orchestra Program
Clinician(s): Leigh Kallestad,
MakeMusic, Inc.
Presider: John Hagon, Berklee
College of Music
SmartMusic now includes assessable
sight-singing methods and instrumental sight-reading
exercises in addition to its library of 45 method books,
3,000 concert titles, and 7,000 solo accompaniments.
This clinic will demonstrate how you can utilize
SmartMusic's practice and assessment capabilities at
school and be assigned for home practice through it's
online capabilities. Also see SmartMusic's latest mobile
application developments.
Thurs 3:10 PM,
Waterfront 2
Lecture
Irish Music and the Wind
Band: An Examination of Authenticity and Tradition
Clinician(s): Dr. Donald Running,
Bridgewater State University; Susan Lindsay, Berklee
College of Music
Presider: Dr. Matthew Finnegan,
Boston College High School
This session will examine classic
and contemporary compositions for wind band that have
been borrowed from or influenced by traditional Irish
music. We will look at three works and explore 1) what
was the original Irish material used in the work, 2) how
the original content was preserved in the new medium,
and 3) to what extent this is an authentic
representation of Irish music. We will also discuss the
importance and value of true "authenticity" within the
context of a large ensemble educational setting.
Thurs 3:10 PM,
Beacon Hill 1
Sharing
Discussion Session for
General Music Teachers
Clinician(s): Allyn Phelps,
Northboro Public Schools; Dr. Sandra Nicolucci, Boston
University
Presider: Heather Kirby, Dedham
Public Schools
In this session, general music
teachers will discuss important issues relevant to
general music K-12.
Thurs 3:10 PM,
Cambridge Complex
Lecture
After the Last Concert: Now
the Music Can Begin!
Clinician(s): David Fontes,
Longmeadow Public Schools
Presider: Dr. Peter Cokkinias,
Berklee College of Music
Using ensemble members as student
composers and conductors, here is an engaging project
idea that keeps them working until the last day. This
project allows students to write and conduct their own
compositions while their peers rehearse and perform the
works. Using technology you already have, notation
programs, recording, podcasting, and online tools,
students can write, rehearse, record, narrate, and
publish their work; all you have to do is guide them.
Thurs 3:10 PM,
Back Bay Complex
Lecture
How a Non-String Player Can
Become a Successful String and Orchestra Teacher
Clinician(s): Dorothy Straub,
Western CT State Univ.; Jeff Albright, Fairfield CT
Public Schools
Presider: Christy Whittlesey,
Chelmsford Public Schools
This session will present practical
ideas for how and why a band director can become a
successful string and orchestra teacher. It is also
applicable to choral directors and general music
teachers.
Thurs 3:10 PM, Federal Complex
Clinic
Sing Your Way through
Theory
Clinician(s): Kris Adams, Berklee
College of Music
Presider: Jodi Richardson,
Chelmsford Public Schools
Kris Adams will present a method
for teaching music theory to singers featuring her new
book, Sing Your Way Through Theory, A Music Theory
Workbook for the Contemporary Singer, in an interactive
and fun clinic. This book can be used by singers as a
self-study workbook or by private or classroom teachers
as a supplement. Many singers are often resistant to
learning music theory and find it tedious and
unnecessary. Ms. Adams has created a systematic way for
singers to grasp music theory progressing all the way
from learning the notes to transposing lead sheets that
is engaging, active, and, more importantly, relevant to
singing. For example: When singers learn the clefs and
note names then they will learn what their singing
ranges are and how to find them; when singers learn
major scales they then can learn the key signatures of
songs; when singers learn intervals then they will learn
how to transpose songs; and finally, when singers learn
how to find their key they can then write up a lead
sheet for a song that they want to sing. In this clinic,
Ms. Adams will use exercises that are hands on and each
step of the way incorporates singing, playing piano,
writing, and visualizing the music. Ms. Adams is
guaranteed to get participants in the session singing
and energized. Teachers will learn a fun method to get
singers interested in learning theory and singers will
learn theory in a fun and creative way that is relevant
to singing.
Thurs 3:10 PM, Skyline
Sharing
Assessing Teacher
Performance Using Student Progress
Clinician(s): David Jost,
Westborough Public Schools
Presider: Dr. Noreen Diamond
Burdett, Milton Public Schools
In the 2013-2014 school year, the
new State Supervision and Evaluation model calls for
teacher evaluations to include student progress as part
of the evaluation. What will this look like in practice?
What will your school system do? Come and take a look at
some models that are in place already to help prepare
for this inevitability. Participants are encouraged to
bring samples of assessments in place to share with
others.
Thurs 3:10 PM, South End
Lecture
The Boston Conservatory
Program for Students on the Autism Spectrum: Lessons
Learned and Lessons Given
Clinician(s): Dr. Rhoda Bernard,
Boston Conservatory
Presider: Anthony Beatrice, Lowell
Public Schools
This session will feature a
groundbreaking private instrument lessons program for
individuals on the autism spectrum, now in its fifth
year. The presenter will discuss lessons learned about
autistic individuals, music, and music education from
this program.
Thurs 4:20 PM,
Plaza Ballroom
Reading Session
Elementary School Choral
Reading Session: More Quality Literature That Is
Accessible!
Clinician(s): Charlotte Brumit,
formerly Newton Public Schools; Martha Holmes, Boston
Area Kodaly Educators
Presider: Dr. Catharine Melhorn,
Amherst Regional/ ACDA
Our children's choirs deserve to
sing literature of high quality that is, at the same
time, appropriate, appealing, and accessible to them as
newcomers to the choral experience. Given the positive
feedback from those who attended our reading session at
the 2012 conference (e.g. "I will be able to use so much
of this music with my choir!"), we offer a new set of
repertoire that meets these same important criteria. The
octavos included in the packet represent a wide variety
of musical styles and genres that will both inspire our
young singers and meet their needs.
Thurs 4:20 PM,
Waterfront 1AB
Panel Discussion
Teaching and Learning with
Technology: What You Need to Know
Clinician(s): Sean Hagon, NEC
School of Continuing Education
Presider: John Hagon, Berklee
College of Music
Have a music technology question?
This Q & A session will involve a panel of music
educators who are leading the way in teaching and
learning with music technology in the classroom. The
panelists will also have available for demonstration
various music technology methods, materials and will
discuss with you ways to integrate these into your
teaching and student learning experience. iPads, Apps,
social media, free Web 2.0 resources, Soundcloud, film
music and video game music, e-portfolios, learning
management systems, and more are just a few of the tools
these educators are currently using. All instrumental,
vocal, and general music teachers are encouraged to
attend. So bring your questions!
Thurs 4:20 PM,
Waterfront 3
Reading Session
MAJE Jazz Reading Session
Clinician(s): Jeffrey Leonard,
Lexington Public Schools; Jim O'Dell, The Boston
Conservatory
Presider: Steve Conant, Norwood
Public Schools
MAJE Big Band reading new jazz
compositions. MAJE members and professional musicians
will read through a variety of jazz charts grade 2-1/2
to 5.
Thurs 4:20 PM, Beacon Hill 1
Lecture
Choral Continuity:
Providing a Seamless Transition for your 6-12 Choral
Program
Clinician(s): Christopher Martin,
Norwood Public Schools; Ashley Nelson, Norwood Public
Schools
Presider: Ruth Debrot, Sharon Public Schools
This session will provide secondary
choral educators with ideas and resources for recruiting
and retaining students during the middle school to high
school transitions. Topics discussed will include
leveling within middle school and high school ensembles,
mentorships, collaborative opportunities, recruitment
methods, and ways to provide open communication within
the 6-12 choral music program. An opportunity for
questions and sharing will be incorporated into the
session.
Thurs 4:20 PM, Beacon Hill 2&3
Panel Discussion
"Newer" Ensemble Directors
Helping Our "Newest"
Clinician(s): Michael Keough, King
Philip Regional Middle School
Presider: Joshua Wolloff, King
Philip Regional North
This panel discussion will address
skills and knowledge that choral and instrumental
directors never received in formal classes. A perfect
choice for pre-service candidates or directors in the
first few years.
Thurs 4:20 PM,
Back Bay Complex
Clinic
Common Music Assessments --
MA and Beyond!
Clinician(s): Dr. Sandra Doneski,
Gordon College
Presider: Faith Lueth, Berklee
College of Music
Massachusetts teachers who are
participating in the MA/CT common music assessment will
share their experiences in using these assessments in
their classes.
Thurs 4:20 PM,
Federal Complex
Hands-On
Little Improvisers:
Teaching the Skills of Improvisation to Our Youngest
Students
Clinician(s): Jennifer Doiron, MSAD
35
Presider: Heather Kirby, Dedham Public Schools
Improvisation can be intimidating
and overwhelming at any stage, so why spend time on it
with early elementary students? It is based on skills
that can and must be taught. The more time students have
to play with those skills, the more fluent they will
become as improvisers. Participants will experience
rhythmic, melodic, and harmonic improvisation activities
appropriate for early elementary students (preK-grade
3).
Thurs 4:20 PM, South End
Lecture
Choosing Music Education
After Another Career
Clinician(s): Dr. Rhoda Bernard,
Boston Conservatory
Presider: Dr. Lisa Lehmberg,
University of Massachusetts
This session will present a
research study of two individuals who became music
educators after having had careers in other fields.
Their interviews shed light on the ways that
nontraditional students and adults might choose to enter
the profession.
Thurs 5:30 PM,
Cambridge Complex
Meeting
MICCA Meeting
Clinician(s): Joshua Wolloff, King
Philip Regional North
Presider: Dr. Matthew Finnegan,
Boston College High School
If you direct a musical ensemble,
you are a member of MICCA! This meeting will provide
answers to your questions and allow you to meet board
members.
Thurs 5:30 PM, South End
Meeting
MAJE Meeting
Clinician(s): Steve Conant, Norwood
Public Schools
Presider: Steve Conant, Norwood
Public Schools
Business Meeting -- all welcome.
Thurs 5:30 PM,
North End
Hands-On
Job Forum 1
Clinician(s): David Jost,
Westborough Public Schools; Dr. Noreen Diamond Burdett,
Milton Public Schools
These sessions are designed to help
match employers with highly qualified applicants. School
district employers are encouraged to sign up on the AIME
bulletin board in the lower lobby for time slots in
which they get first chance to meet and greet people
looking for a job in their district. Attendees should
bring resumes and be ready to be interviewed!
Fri 8:00 AM,
Waterfront 1AB
Clinic
SmartMusic for Vocal
Educators
Clinician(s): Leigh Kallestad,
MakeMusic, Inc.
Presider: Tom Johnson, MakeMusic,
Inc. See
how vocal music educators use SmartMusic vocal
assessment and sight-singing materials. Explore solo
literature, vocal warm-ups, and exercises, and learn how
to create your own SmartMusic content using Finale
software. Import audio files for practice and
assignments.
Fri 8:00 AM,
Beacon Hill 1
Sharing
Creating School-Wide
Multidisciplinary Projects
Clinician(s): Anthony Beatrice,
Lowell Public Schools; John Honer, Pentucket Regional
School District
Presider: Eric Linsner, Chelmsford
Public Schools
Learn how Pentucket Regional High
School has connected the historical significance of its
three towns with art, music, video, U.S. history, and
English in order to create a meaningful curriculum. This
clinic will give you key ideas to help spearhead
multidisciplinary projects in your school district.
Visit www.pentucketunderground.com to view the school's
project from 2011.
Fri 8:00 AM,
Beacon Hill 2&3
Lecture
Got the Degree...Got the
Job...Am I Ready?
Clinician(s): Karen Forrest,
Westborough MA public schools
Presider: Michael Keough, King Philip Regional Middle
School
This session will provide collegiate members and our
newest members with a sure path to establishing the
foundations of good teaching and the building blocks of
success.
Fri 8:00 AM, Back Bay Complex
Hospitality
ACDA Bagels and Coffee
Dr. Catharine Melhorn, Amherst
Regional/ ACDA
An open invitation from ACDA to
join us for coffee and bagels!
Fri 8:00 AM,
Skyline
Sharing
Accessing Music Education through Technology
Clinician(s): Harry Wagg, Lynnfield
Public Schools
Presider: John Hagon, Berklee
College of Music
The proposed session will be an
exploration and discussion regarding the use of
technologies to inform and educate community members and
colleagues about current music education goals and
activities. Through the creation of multimedia
presentations as a product of interdisciplinary lessons,
students are able to take home and share their work in
music class much like they are able to take home artwork
or materials from their general classrooms. Furthermore,
parents, community members, and colleagues are
introduced to the goals of current music education
standards through the more familiar activities of the
general classroom.
Fri 8:00 AM,
South End
Lecture
Policy 101
Clinician(s): Lauren Kapalka
Richerme, Arizona State University
Presider: Dawn Sykes, Milton Public
Schools
This session aims to help teachers understand and engage
with recent education policies. First, this session will
explore how recent national and state education
policies, such a Race to the Top, can impact music
classrooms. Next, this session will provide attendees
with practical suggestions, including free websites,
e-mail lists, and blogs, that can aid them in keeping
up-to-date on policy. Finally, this session will assist
participants in understanding how they can become more
actively involved in policy. Attendees will receive
information about constructing effective advocacy
language and using online resources to facilitate policy
engagement.
Fri 9:15 AM, Plaza Ballroom
MMEA General Meeting, and
Address by Christopher Woodside
Fri 10:45 AM,
Plaza Ballroom
Clinic
Understanding Coalition
Building and Messaging for Advocates
Clinician(s): Christopher Woodside,
National Association for Music Education
Presider: Dr. Noreen Diamond
Burdett, Milton Public Schools
An in-depth look at the necessary
components for building a successful advocacy coalition
and enacting targeted, issue-specific messaging
strategies aimed at achieving tangible results.
Featuring interactive activities and a discussion of
ongoing issues in the field.
Fri 10:45 AM,
Waterfront 1AB
Clinic
Using SmartMusic
Effectively in your Band/Orchestra
Clinician(s): Ben Holste, Penn
Hills School District
Presider: John Hagon, Berklee
College of Music
Select appropriate literature.
Introduce your students to SmartMusic's many instructive
features. Creating your own gradebook & making
assignments to your entire ensemble in just minutes.
Tips for getting started. These are just a few of the
many features available in SmartMusic guaranteed to
provide instant feedback for your students while
providing objective assessment for students, parents &
administrators. Proper use of SmartMusic will also save
busy directors time. Technology is here to stay.
Learning to utilize its many possibilities with today's
educational requirements makes SmartMusic a very useful
tool for directors at any level.
Fri 10:45 AM,
Waterfront 2
Hands-On
Traditional Singing Games
and Folk Dances for Children
Clinician(s): Michelle Roderick,
Revels, Inc.
Presider: Leigh Spignese,
Southborough Public Schools
Children everywhere share a love of
play. Many folk games include motions, songs and chants
to use in your classrooms. For over 40 years Revels has
drawn on the power and magic of this traditional
repertoire from all over the world in its Christmas
Revels productions and other educational activities
throughout the year. This hands-on workshop will be an
opportunity to learn simple songs and dances. A small
group of Revels children will be on hand to demonstrate
the singing games with you. The session will include
group discussion and a review of the material learned.
Handouts will be provided.
Fri 10:45 AM,
Waterfront 3
Hands-On
Afro-Caribbean Percussion
Instruments in Vocal and Instrumental Ensembles
Clinician(s): Dr. Juan Tony Guzman,
Luther College
Presider: Dr. Dominick Ferrara,
Berklee College of Music
Learn techniques for playing and
using congas, bongos, clave, guiro, maracas, cowbells,
timbales, and tambora. Demonstration of appropriate
piano and guitar accompaniment patterns with
corresponding dance steps. The teaching and learning in
this session uses an onomatopoeic approach to learn the
percussion patterns, without note-reading. However, at
the end of the session and for future reference, we
provide a handout with notated patterns. Participants in
this session should bring some of these instruments to
have hands-on experience.
Fri 10:45 AM,
Beacon Hill 1
Clinic
Developing Musicianship in
Beginning and Developing Bands: Success That Lasts a
Lifetime!
Clinician(s): Dr. Deborah Sheldon,
Temple University/FJH Music
Presider: Donald MacTaggart, Norwood Public Schools
Creating a sound foundation is
essential to musical growth. Using Books I and II of
Measures of Success, we will target music, sequential
techniques, and conceptual tools to help beginning and
developing instrumentalists hone musical skills for a
lifetime. Emphasis will be on musicianship, assessment,
and problem-solving. Retention of students in band
programs can be addressed through stellar teaching
methods and interesting content that captures the
attention of young musicians. This new band method was
crafted with an eye towards supplying students and
directors with quality material, suggestions to help
directors towards exceptional teaching, and tasks that
will motivate everyone.
Fri 10:45 AM,
Beacon Hill 2&3
Clinic
Who�s Afraid of the Common
Core? Making Authentic Connections in General Music, Pt.
1
Clinician(s): Dr. Sandra Nicolucci,
Boston University
Presider: David Adams, Gloucester
Public Schools
Feeling anxious about the national
Common Core Standards that are "huffing and puffing" at
your door? Let's get rid of that anxiety! Participants
will leave confidently whistling the tune of Who's
Afraid of the Big Bad Wolf, having realized that they
are either currently addressing some Common Core
standards or that they can easily begin to integrate
selected Common Core Standards into their general music
lessons without sacrificing musical goals. A
"walk-through" of a Theme and Variations general music
unit will demonstrate that making authentic connections
between standards for music, academics, and other arts
disciplines can actually strengthen learning and
understanding for students. So . . . who's afraid of the
Common Core? Not you!
Fri 10:45 AM,
Cambridge Complex
Clinic
Get Your Students Composing
Music!
Clinician(s): Dr. Kenneth
Schaphorst, New England Conservatory
Presider: Jim O'Dell, The Boston
Conservatory
Today's technology makes it easier
and easier to both compose music and hear the music that
you've composed. With music notation programs and
digital recording becoming cheaper and more
user-friendly, more and more schools are offering
classes in music composition as a part of their
curriculum. But unfortunately, the instruction is not
always able to keep up with the technology. Ken
Schaphorst, who received his DMA in composition from
Boston University and now chairs the Jazz Studies
Department at the New England Conservatory, will discuss
ways of introducing your students to simple and
effective guidelines in the basics of music composition.
He will also discuss how to prepare your students to
apply for the annual Robert Ayasse Memorial Composition
Contest, administered by the Massachusetts Association
for Jazz Education.
Fri 10:45 AM,
Back Bay Complex
Lecture
Music of the Muslim World
Is Our Music -- Repertoire and Teaching Strategy
Clinician(s): Andre de Quadros,
Boston University
Presider: Kayla Werlin, Longmeadow
Public Schools
With America's changing demographic
and the difficult international situation, there is an
urgent need to connect to music of the Muslim world.
This music is little understood or known. Thus, this
session focuses on repertoire, getting participants to
understand the great diaspora of Muslim music by singing
a selection of pieces from different social, cultural,
and linguistic contexts. A distinction is made between
Islamic music and music that is more culturally situated
in Muslim culture. Music educators attending the session
will leave with practical ideas for performance and
strategies for how to locate and teach such repertoire,
artistically and responsibly.
Fri 10:45 AM,
Federal Complex
Hands-On
Big Sing! An Exploration of
the Aural Tradition and its Application to Choirs and
Communities
Clinician(s): Christopher G. Keene,
Dover-Sherborn Regional Schools
Presider: Ruth Debrot, Sharon
Public Schools
This is a "Non-Reading Session," we
will sing classic spirituals, folk songs, and beloved
melodies together in the aural tradition, learning to
share music and build community through group singing.
Incorporating the teachings of Nick Page, Ysaye M.
Barnwell, Pete Seeger, Alice Parker, and other master
songleaders, this workshop will give you a collection of
melodies etched in your ear through repeated singings,
along with strategies for leading community sings and
adapting the repertoire to all ability levels, from
unison melodies to 10+ part polyphony. Perfect for
combined numbers at multi-grade/ability-level concerts.
Fri 10:45 AM,
Skyline
Commercial Session
A Wide World of WebVisits
Clinician(s): Jeanette Morgan, The
Lorenz Corporation
Presider: Sarah Houghton, New
England Conservatory Preparatory School
Participants in this session will
learn about the many approaches that can be taken when
utilizing the vast resources available on the World Wide
Web. I will share a variety of web-based lessons from my
own classroom experiences, as well as other master
educators, including Artie Almeida. I will present three
WebVisits spanning the music curriculum and the grade
levels. Each WebVisit will demonstrate clear curricular
goals and allow for participant interaction. Materials
and ideas for conducting and creating your own WebVisits
will be shared, as will a list of resources. Please
bring your laptops. Please note that access to the
Internet will be needed for this session.
Fri 10:45 AM,
South End
The Urban Educator's Point of View
Clinician(s): Cynthia Grammer, Fall
River Public Schools; Dr. Sandra Doneski, Gordon College
Presider: Faith Lueth, Berklee
College of Music
Are you an urban educator? Do you
want to make a difference? Help us chart the course in
cities and towns across Massachusetts.
Fri 12:00 PM,
Waterfront 1AB
Clinic
Music Education Online:
Tools for Your Music Classroom
Clinician(s): Dr. Jim Frankel,
Music Sales Corp.
Presider: Sean Hagon, NEC School of
Continuing Education
This session will focus on several
commercially available online resources that help
integrate technology into music instruction.
Fri 12:00 PM,
Waterfront 3
Clinic
High School Guitar:
Building a Four-Year Program
Clinician(s): Virginia Boyle, Mt.
Hope Rhode Island
Presider: Megan Bergeron, Billerica
Memorial High School
Suggestions for developing a
four-year high school guitar program include ideas for
curriculum development, materials, sample lessons,
resources, teaching and assessment strategies, and
development of technique and music literacy.
Fri 12:00 PM,
Beacon Hill 1
Lecture
Creating Meaningful Musical
Experiences through Programming
Clinician(s): Dr. Benjamin Lorenzo,
Oklahoma State University
Presider: Thomas Rizzo, North
Attleboro
Selecting music for our students to perform is one of
the most difficult yet important things we do as
educators. The choices we make significantly impact our
students' and our own musical development. This session
focuses on maintaining a balance of art and craft by
defining criteria for selecting quality music, taking
into account practical considerations, using repertoire
as a vehicle for student growth, and audience
engagement. At every level, from middle school to
college, there are many factors to consider, and
successful orchestration of these elements can lead to
memorable experiences for students, teachers, and
audiences alike.
Fri 12:00 PM,
Beacon Hill 2&3
Clinic
Who's Afraid of the Common
Core? Making Authentic Connections in General Music, Pt.
2
Clinician(s): Dr. Sandra Nicolucci,
Boston University
Presider: David Adams, Gloucester
Public Schools
Feeling anxious about the national
Common Core Standards that are "huffing and puffing" at
your door? Let's get rid of that anxiety! Participants
will leave confidently whistling the tune of Who's
Afraid of the Big Bad Wolf, having realized that they
are either currently addressing some Common Core
standards or that they can easily begin to integrate
selected Common Core Standards into their general music
lessons without sacrificing musical goals. A
"walk-through" of a Theme and Variations general music
unit will demonstrate that making authentic connections
between standards for music, academics, and other arts
disciplines can actually strengthen learning and
understanding for students. So . . . who's afraid of the
Common Core? Not you!
Fri 12:00 PM,
Cambridge Complex
Reading Session
Jazz Choral Arrangements
for All Levels
Clinician(s): Sean Landers, Belmont
Public Schools; Kevin McDonald, Wellesley Public Schools
Presider: David Jost, Westborough
Public Schools
This session will double as a
reading session and an informal performance of best
practices in the jazz choir idiom. It is the goal of
this session to make this important literature appealing
and accessible to directors and their ensembles,
regardless of previous background or ensemble
experience. Reading packets will be provided.
Fri 12:00 PM,
Back Bay Complex
Lecture
Building Tonal Literacy in
the Classroom and Ensemble Rehearsal
Clinician(s): Michael Driscoll,
Brookline Public School
Presider: Ashley Nelson, Norwood
Public Schools
Far too often singers and
instrumentalists are musically illiterate when they
enter performance ensembles and directors aren't sure
how to develop elementary skills in a large group
setting. Working from the premise that we learn musical
skills in much the same order as we do language skills,
participants will explore how we "learn" music through
hearing and imitating patterns before reading and
writing. This session will focus on practical ideas and
techniques for developing melodic reading readiness and
applying reading skills to literature. Teaching
strategies for developing audiation, dictation and aural
skills, improvisation, and elementary composition will
be presented.
Fri 12:00 PM,
Federal Complex
Lecture
Teaching in Prisons Is a
Win-Win: Curriculum, Strategies, and Benefits
Clinician(s): Jamie Hillman, Gordon
College/Boston University; Andre de Quadros, Boston
University
Presider: Dr. Rhoda Bernard, Boston
Conservatory
While most music educators
understand the philosophies and methods of teaching in
schools, work in prisons remains a mystery. The
presenters will introduce the choral music program that
they have initiated at a medium-high-security prison in
Massachusetts. The workshop will focus on goals of the
project, philosophy of teaching, choral strategies,
repertoire, and the benefits for the music educator,
prisoners, and the community at large. The presenters
will advocate for the need and relevance of such work in
today's society and will share how the lessons learned
from working in this environment can be transferred to
the traditional classroom.
Fri 12:00 PM,
Skyline
Lecture
Music, Language, and the Brain: Can We Teach All
Children?
Clinician(s): Dr. Elena Zaretsky,
University of Massachusetts Boston
Presider: Jonathan Rappaport,
Arts|Learning
What does current brain research
say about the connection between music and learning?
This presentation will focus on current research in
brain - music - language/literacy connections and
provide useful suggestions for teaching children with
different language and cognitive abilities. It will also
give powerful researched-based advocacy ammunition
supporting the importance of music in the day-to-day
school curriculum. Topics will include: 1. Research
regarding how developmental language problems impact
reading. 2. How musical training enhances children's
ability to develop future literacy acquisition. 3. How
children with Autism Spectrum Disorders can benefit from
musical training to develop language and social skills.
Fri 1:10 PM,
Plaza Ballroom
Concert Hour
Fri 2:40 PM,
Plaza Ballroom
Clinic
Latin American Styles and
the String Orchestra
Clinician(s): Dr. Juan Tony Guzman,
Luther College
Presider: Christy Whittlesey,
Chelmsford Public Schools
Mexican Mariachi, Cuban Charanga,
and Argentinean Tango ensembles include bowed string
instruments. Their repertoire and styles suits well the
school string orchestra. This session explores the basic
string techniques required for stylistic interpretation.
Intended for the non-string player orchestra conductor.
Fri 2:40 PM,
Waterfront 1AB
Lecture
Technology that Improves
Teaching and Learning
Clinician(s): Daniel Massoth,
MakeMusic
Presider: Dan Schmunk, New England Conservatory
Learn how teachers are using
SmartMusic technology to easily collect assessment data
using sight reading, scales, solos, method books,
concert music, and more. Recordings, screenshots and
feedback are automatically stored in the cloud and
available on any device. Put technology to work for you!
Fri 2:40 PM,
Waterfront 2
Clinic
Straight A's for the
Developing Musician: Assessment, Accountability, and
Achievement
Clinician(s): Dr. Deborah Sheldon,
Temple University/FJH Music
Presider: Dr. Matthew Finnegan,
Boston College High School
Skills assessment is important for
students to understand accomplishments and potential.
Parents learn what is gained from band participation;
administrators reap valuable data supporting school
music. We focus on practical, enjoyable assessment
methods to inform creative teaching enhancement and
modifications and help the director to determine the
most appropriate methods for assessing student
achievement in instrumental music learning. With a clear
handle on student progress, the path for teaching
modification gains clarity. Better teaching ultimately
means students are better served and the probability
that students choose to continue the band experience
grows.
Fri 2:40 PM, Waterfront 3
Clinic
Classical Guitar Ensemble
at the High School Level
Clinician(s): Virginia Boyle, Mt.
Hope Rhode Island
Presider: Megan Bergeron, Billerica
Memorial High School
Discussion and suggestions for the
development of a successful high school guitar ensemble
will include rehearsal strategies, program development
tips, as well as ideas for literature, performance, and
assessment.
Fri 2:40 PM, Beacon Hill 1
Clinic
Groundswell Live: Advocates
Fishbowl Discussion
Clinician(s): Christopher Woodside,
National Association for Music Education
Presider: Dr. Noreen Diamond
Burdett, Milton Public Schools
An open dialogue between advocates
moderated by NAfME's federal lobbyist, aimed at sharing
success stories and failures, swapping strategies,
discussing emerging policy resources, and building
capacity for future advocacy activities. Featuring a
comprehensive review of NAfME's Groundswell website and
other advocacy tools.
Fri 2:40 PM,
Beacon Hill 2&3
Lecture
Musicians Are Athletes Too!
The Orthopedic Hand Problems of the Musician
Clinician(s): Dr. Jennifer Green,
Tufts University School of Medicine
Presider: Barbara Green-Glaz,
Boston University
Musicians are prone to develop hand
and upper extremity problems due to the tendency toward
repetitive hand and finger motions, the long practice
hours, and the awkward posturing of the upper
extremities. Relying on their hands for their
livelihood, musicians are pushing their hands and
fingers to the extreme, and setting very high self
expectations. In turn, musicians have become a very
particular population to treat. This session is to
illustrate some of the more common hand and upper
extremity problems that plague musicians and when and
where to seek help from an orthopedic specialist.
Fri 2:40 PM,
Cambridge Complex
I'll Bring the Steel Drum
and Umbrellas!
Clinician(s): Jefferey Clayton,
PanNeubean Steel / The Victor School
Presider: Sara Carson, Waltham
Public Schools
This session will offer you an
escape into the cool island sounds of the Caribbean. You
will learn about the steelpan's history and experience
it from its rhythmic origins to more contemporary music
styles. This instrument, originally from Trinidad and
Tobago, has a valid place in today's music curriculum.
The steelpan will captivate your students, even those
not yet enrolled in your music class. Both students and
faculty will be exposed to the richness of a different
culture.
Fri 2:40 PM, Back Bay Complex
Hands-On
Develop Musicianship Skills
with Improvisation in Your Choral Rehearsal
Clinician(s): Dr. Stephen Paparo,
University of Massachusetts Amherst
Presider: Ashley Nelson, Norwood
Public Schools
Improvisation is not just for jazz
musicians! Improvisation can be a fun part of your
choral rehearsal while building your students'
musicianship skills. This interactive session will show
you how to teach and incorporate improvisation
activities as a part of regular rehearsal that you and
your students will enjoy.
Fri 2:40 PM,
Federal Complex
Hands-On
Having Fun with the Major
Modes in the Classroom: Things You Might Not Have
Thought About
Clinician(s): Dr. Felipe Salles,
University of Massachusetts, Amherst
Presider: Jim O'Dell, The Boston
Conservatory
How to turn the major modes,
normally a dry theoretical concept, into an applied
sound concept to be used in improvisation. This
presentation will exam modal properties such as color,
chord relationship, and function as well as their
relation to the cycle of fifths and symmetry.
Fri 2:40 PM,
Skyline
Lecture
Teaching Music in a Globalized World
Clinician(s): Lauren Kapalka
Richerme, Arizona State University
Presider: Gary Good, Milton Public
Schools
This session will address the question, "How can
teachers help their students form musical connections in
an increasingly globalized world?" First, recent
writings about globalization will be introduced,
summarized, and discussed. The concept of
cosmopolitanism, which argues for ethics in a globalized
world, will also be presented. Next, this session will
examine how professional musicians connect with diverse
groups of people through technology. Finally, this
session will offer music teachers of all levels ideas
about how to connect their students with musicians from
around the world. Free websites that teachers can use to
facilitate such connections will be offered.
Fri 3:50 PM,
Plaza Ballroom
Reading Session
Latin American Choral
Music: Reading Session
Clinician(s): Dr. Juan Tony Guzman,
Luther College
Presider: Rachel Carroll, Wayland
Public Schools
An examination of choral octavos of
characteristic styles from the Dominican Republic (pambiche,
bolero, merengue), Venezuela (joropo), Argentina (canción),
Chile (cueca), Haiti (vaksin), Mexico (mariachi songs),
Cuba (son), and Brazil. The choral arrangements for this
session are for 1) different combinations of voices and
levels (treble, SATB, SAB, a cappella, with piano and
instrumental accompaniment), and 2) different characters
and tempi. Each piece is introduced with brief comments
on style, diction, phrasing, articulation, and rehearsal
tips. The participants will listen to recorded
interpretation by Latin American choirs, and then read
the choral arrangements.
Fri 3:50 PM,
Waterfront 1AB
Hands-On
E-Portfolios: Doing More
With Weebly
Clinician(s): Sean Hagon, NEC
School of Continuing Education
Presider: Dan Schmunk, New England Conservatory
E-portfolios are becoming
increasingly important in the field of teaching and
learning with music technology. This session will be a
hands-on, in-depth clinic using free resources available
to all teachers and students. Learn how to create a
robust e-portfolio environment for you, your students,
parents, and your classroom using just a simple website
and an internet connection. Techniques and applications
discussed will include use of social media, music
notation, embedding audio, video, YouTube, Soundcloud,
blogs, and more. Participants are encouraged to bring
their laptops.
Fri 3:50 PM,
Waterfront 3
Clinic
Inside the Jazz Rhythm
Section
Clinician(s): Alan Vaudreuil,
Worcester Academy; Rick Cain, Berlin-Boylston Regional
Schools
Presider: Paul Pitts, Boston Public Schools
How to develop the jazz rhythm
section at all levels. Topics will include the role of
each instrument, time placement, working together as a
section, complementing soloists, interacting with
soloists, and stylistic interpretation. Rhythm-section
members Al Vaudreuil (guitar), Steve Lajoie (piano),
Rick Cain (bass), and a drummer will demonstrate
concepts, present valuable info, and address questions.
Working together extensively over the past 25 years,
these rhythm section professionals will share their
knowledge and experience to help educators improve their
rhythm sections.
Fri 3:50 PM,
Beacon Hill 1
Lecture
Formative Assessment in the
Arts: Evaluating Student Growth
Clinician(s): Heather Cote,
Westwood
Presider: Dr. Noreen Diamond Burdett, Milton Public
Schools
When teachers begin conversations about assessment, the
topic can often be met with anxiety. Assessment can be
thought of as the way in which we measure student growth
over time. When formative assessment is used as a part
of instruction, both teacher and student have a measure
of progress. Over the past year, the Westwood Performing
Arts faculty spent time discussing and developing
various assessments as well as reviewing assessment
techniques for K-12 general music, theater, and
performing ensembles. This session will share some of
these assessments and strategies currently being
employed in the district.
Fri 3:50 PM,
Federal Complex
Clinic
Innovations: Best Practices
and Creative Solutions
Clinician(s): Libby Allison,
Berklee College of Music; Tom Westmoreland, Lynnfield
Public Schools
Presider: Jeff Taylor, Dedham
Public Schools
Sometimes, a little creative
thinking is necessary for us to facilitate a successful
music education for our students. Music educators from
across the state will share their progressive and/or
alternative ideas for scheduling, curriculum
development, and classroom practice. Time will be
provided for questions and brain storming, so bring your
problems and ideas!
Fri 3:50 PM,
Skyline
Lecture
Tune Up Your Advocacy Agenda for 2013
Clinician(s): Jonathan Rappaport,
Arts|Learning; Matthew Wilson, MassCreative
Presider: David Jost, Westborough
Public Schools
Join with Arts|Learning's Jonathan
Rappaport and MassCreative's Matt Wilson to learn about
our progressive arts education advocacy agenda for this
year in Massachusetts. In this session we will lay out
our vision for arts education, the current challenges in
music and other arts in public education, our platform
to solve these problems and issues, and our campaign to
reform how the arts are viewed and supported throughout
the state. This is the one session where many voices are
needed to help promote a common advocacy agenda. Attend!
Listen! Give us feedback! Then -- let your voice be
heard!
Fri 5:00 PM, Plaza Ballroom
Reading Session
Expanding the Repertoire: A
Fresh Look at Male Chorus Literature and Programming
Clinician(s): Dr. Cameron LaBarr,
Lee University
Presider: Kevin McDonald, Wellesley
Public Schools
This session will focus on
programming and repertoire ideas for male chorus that
may typically be overlooked. The following questions
will be explored: What repertoire makes a male chorus
concert interesting? How does a conductor find the
balance between literature that is challenging yet
accessible? What pieces help to build an audience (and
keep them coming back)? This session is intended for
anyone interested in male chorus, either in high school,
university, or community settings. Part of this session
will include reading through excerpts of little-known,
but useful works for male chorus.
Fri 5:00 PM,
Waterfront 1AB
Lecture
Composing with Noteflight
in the Classroom
Clinician(s): Kevin Coyne, Waltham
Public Schools
Presider: John Hagon, Berklee
College of Music
Come check out Noteflight, an
online music notation program. The program's different
features will be shown, as well as ways to incorporate
it into the classroom setting.
Fri 5:00 PM,
Waterfront 2
Panel Discussion
Do You Hear What We Hear?
Clinician(s): Steve Conant, Norwood
Public Schools
Presider: Jim O'Dell, The Boston
Conservatory
Seasoned MAJE Festival Judges
discuss each jazz ensemble section adjudicated at
festival performance (rhythm, trumpet, trombone, and
reed, ensemble) and the new MAJE Jazz Festival
Adjudication Rubric.
Fri 5:00 PM,
Waterfront 3
Hands-On
Madinda Nation! Building
and Playing East African Xylophones for the General
Music Classroom
Clinician(s): Dr. Thomas Malone,
UMass Lowell
Presider: Scott Tarantino, Sharon
Public Schools
The "Madinda" is a traditional
instrument from Uganda. It is a pentatonic instrument
played from two sides at once but multiple players. This
hands-on & face-to-face approach is ideal from
collaborative, improvisatory, and groove-based music
making. Dr. Thomas B. Malone will co-present with
traditional Ugandan musician Moses Buyondo for this
active and exciting session that will offer ensemble
musicing with a traditional foundation, that is ideal
for general music classroom. These hand-crafted
instruments can be built by students from re-purposed
wood -- providing additional links to both
sustainability issues as well as the physics/mathematics
of sound.
Fri 5:00 PM, Cambridge Complex
Sharing
Community Sing
Clinician(s): Nick Page,
Composer/Song Leader
Presider: Kathryn Hayashi, Gordon
College
Nick Page has been a frequent guest at MMEA conventions
leading us in song, bringing us together as a community
and making the songs of America and the world come alive
with creativity, compassion, and joy. As part of Nick's
sing, he will address the importance of school wide
music activities like the all-school sing and
instrumental concerts (and both). A hand-out will
provide essential resource information to get all-school
sings going at your school (plus some sample octavos and
music hand-outs). More info on Nick at
www.nickmusic.com.
Fri 5:00 PM,
Back Bay Complex
Hands-On
Improvisation with Young
Choral Singers
Clinician(s): Sarah Houghton, New
England Conservatory Preparatory School
Presider: Carol Toth-Forward, East
Longmeadow Public Schools
In this session, participants will
explore the complexities of designing and implementing
research-supported improvisation activities within an
all-inclusive choral setting. Following the learning
sequence framework of Dr. Edwin Gordon's Music Learning
Theory, the presenter will share examples of 1st through
8th grade choral students' tonal, rhythmic, and melodic
improvisations. Students from the Children's Choruses at
New England Conservatory's Preparatory School will
demonstrate some of the activities.
Fri 5:00 PM,
Federal Complex
Young Composer Master Class
Clinician(s): Dr. Marti Epstein,
Berklee College of Music
Presider: Libby Allison, Berklee
College of Music
This session will serve to honor
those students who have submitted original music
compositions. Selected students will participate in
master class style session with a composer/teacher who
will review their compositions.
Fri 5:00 PM,
Skyline
Clinic
Dress Rehearsal -- For an Interview!!
Clinician(s): Marie Nelson,
University of Massachusetts/Dartmouth
Presider: Marie Nelson, University
of Massachusetts/Dartmouth
Current UMass/Dartmouth collegiates
in Music Education will be "interviewed" for
professional positions by a panel of Music Educators and
school administrators. Those "candidates" will respond
to a series of questions related to the position to
which they are "applying." Contemporary issues in public
education, of a more general nature, may also be raised,
in order to assess the candidates awareness of current
trends and concerns. Discussion of strategies and
techniques used in interview preparation will follow.
Body language, speech and verbal skills, demeanor and
personal style, as well as level of confidence will be
evaluated and critiqued by the interviewing panel, with
comments accepted from the gallery. To close the
session, an "Interviewing Handbook" will be given to
those prospective music educators' collegiates in the
audience.
Fri 5:00 PM, South End
Hands-On
Job Forum 2
Clinician(s): David Jost,
Westborough Public Schools; Dr. Noreen Diamond Burdett,
Milton Public Schools
These sessions are designed to help
match employers with highly qualified applicants. School
district employers are encouraged to sign up on the AIME
bulletin board in the lower lobby for time slots in
which they get first chance to meet and greet people
looking for a job in their district. Attendees should
bring resumes and be ready to be interviewed!
Sat 8:00 AM,
Waterfront 1AB
Clinic
Scanning Sheet Music
Clinician(s): Tom Johnson,
MakeMusic, Inc.
Presider: Leigh Kallestad,
MakeMusic, Inc.
Whether you need that horn part
transposed for alto sax or want to arrange an entirely
new band orchestration, this workshop focuses on how to
achieve success. Pitfalls and caveats are discussed with
emphasis on ease of use and minimizing edits. Five
pieces will be scanned, each demonstrating differing
issues and their resolution.
Sat 8:00 AM,
Cambridge Complex
Hands-On
Addressing All 9 National
Standards in Early Childhood and Elementary General
Music
Clinician(s): Dr. Valerie Baker,
University of Rhode Island
Presider: Rosemary Sears,
Somerville Public Schools
This session will focus on methods
of addressing all nine National Standards for children
ages birth through 9 years old. Examples of assessments
and lessons developed by Madeleine Carabo-Cone, a noted
general music methodologist will be delivered through
audience participation. The Carabo-Cone Approach
concentrated on personalizing music notation for young
children while giving them numerous kinesthetic
experiences and centering on learning music through
enactive, iconic, and symbolic modes.
Sat 8:00 AM,
Back Bay Complex
Hands-On
Aural Literacy in the
Choral Ensemble: Using Solfege to Teach Music as a
Language
Clinician(s): Christopher G. Keene,
Dover-Sherborn Regional Schools
Presider: Christopher Martin,
Norwood Public Schools
Want your singers to "read music"
but don't know where to start? Worried that teaching
literacy will take away from concert preparation time?
Want to get away from note-plunking and rote learning?
You will leave this session ready to teach all your
singers to be literate musicians. This hands-on workshop
will cover the basics of the movable-Do system of
solfège (including hand-signs) and how to structure your
teaching to mirror the way we learn spoken language. In
only a few minutes per rehearsal your singers can begin
learning repertoire without piano and develop better
leadership, intonation, and understanding.
Sat 9:10 AM,
Plaza Ballroom
Reading Session
Middle School Choral
Reading Session
Clinician(s): Megan Fitzharris
Harlow, Belmont Public School
Presider: Ruth Debrot, Sharon Public Schools
Discover great repertoire for
middle school choral ensembles! A wide variety of styles
will be explored. The repertoire is appropriate for all
types of adolescent choral groups, including treble,
changing, and mixed voice ensembles.
Sat 9:10 AM,
Waterfront 1AB
Clinic
What Do Notation Programs
Offer Music Educators?
Clinician(s): Tom Johnson,
MakeMusic, Inc.
Presider: Leigh Kallestad,
MakeMusic, Inc.
Learn how notation software can
assist music educators in creating the materials they
need daily in their music programs. See how your
notation program can be used to scan in music, create
tests and worksheets, produce rehearsal CD's, generate
SmartMusic accompaniments, and much more.
Sat 9:10 AM,
Waterfront 2
Commercial Session
Active Assessments for Your
Active Classroom
Clinician(s): Jeanette Morgan, The
Lorenz Corporation
Presider: David Chace, Easton
Public Schools
Participants attending this session
will leave with several active and engaging ideas for
acquiring information about their students' knowledge
and ability in regards to multiple music concepts.
Assessment activities will cover singing skills/pitch
matching, playing and reading notation, basic
understanding of instrumental families, and more.
Detailed program notes will outline the intended goal of
each activity, the suggested grade levels, and
strategies for teaching and implementing the activity.
Please bring recorders.
Sat 9:10 AM,
Waterfront 3
Commercial Session
Band Director's Resource
Manual
Clinician(s): Ed Sueta, Macie
Publishing Company
Presider: Dr. Peter Cokkinias,
Berklee College of Music
Ed will present the Premier
Performance Band Director's Resource Manual. The manual
offers page by page suggestions and techniques which Ed
successfully used over the course of his thirty years as
a band director. The manual contains over twenty
instrument outlines which provide concise, practical
techniques for setting optimum embouchure and playing
position for all woodwind and brass instruments as well
as grip and playing techniques for all percussion
instruments. A series of rhythm charts for the enhanced
development of reading skills and music history and
correlated quizzes are also included. Each participant
will receive complimentary copies of Premier Performance
as well as sample instrument outlines.
Sat 10:20 AM,
Plaza Ballroom
Clinic
Trumpet in the Big Band
Clinician(s): Jeff Holmes,
University of Massachusetts Amherst
Presider: Brian Cervone, Framingham
Public Schools
Playing trumpet in a jazz band
poses specific challenges and requirements for young
brass players. Concept of sound, articulation, blend,
range, listening, tuning, and musical leadership are
addressed in this session, and practical applications
and techniques will be discussed.
Sat 10:20 AM,
Waterfront 1AB
Lecture
Free Technology Resources
for the Music Educator
Clinician(s): Kevin Coyne, Waltham
Public Schools
Presider: John Hagon, Berklee
College of Music
Come check out free resources from
the web for use in your classroom. Free notation,
composition, ear training, and other programs will be
demonstrated in this session.
Sat 10:20 AM,
Waterfront 2
Clinic
Hands, Hearts, Minds:
Engaging All of It in Band!
Clinician(s): Dr. Deborah Sheldon,
Temple University/FJH Music
Presider: Paul Pitts, Boston Public
Schools
Emphasizing a holistic approach in band, this session
helps you learn to elevate students' experiences as you
shape the total band musician. We will open the doors to
multi-dimensional techniques that focus on performance,
listening, expression, evaluation, and contextual
understanding. Exploring how a shift in emphasis towards
expression can help directors to re-energize their
approach when working with young players, we will
explore ways to motivate, teach, and retain beginning
and developing band musicians through a variety of
procedures that tap into the ears, the mind, the
fingers, and the soul.
Sat 10:20 AM,
Waterfront 3
Hands-On
Working Together: Creating
Integrated Preschool Musical Experiences
Clinician(s): Dr. Sarah McQuarrie,
Bridgewater State University
Presider: Joseph Valadez, Waltham
Public Schools
Participants will experience
singing, playing, listening, and movement activities
that correspond with typical preschool general
curriculum units as well as popular children's books.
The Massachusetts Frameworks: Guide to Preschool
Learning will be addressed along with the PreK National
Standards for Arts Education.
Sat 10:20 AM,
Cambridge Complex
Hands-On
High Sticking -- Zimbabwean
Music in Your Classroom?
Clinician(s): Scott Tarantino,
Sharon Public Schools; David Ruggiero, Medfield Public
Schools
Presider: Ruth Debrot, Sharon Public Schools
Current trends and research in
music education tells us that nontraditional ensembles
will be an important part of our future. Participants in
this workshop will have a hands experience playing
Zimbabwean style marimba music. Students from the
Tungurura and Dzakanaka marimba ensembles of Sharon and
Medfield will demonstrate, instruct, and perform.
Background information on the roots of this music will
be provided.
Sat 10:20 AM,
Back Bay Complex
Commercial Session
Mnemonic's The Tonic
(Simple as Singing Your A, B, C's!)
Clinician(s): Martin Swinger, Arts
Are Essential, Inc.
Presider: Eric Linsner, Chelmsford
Public Schools
Songwriting engages students in
creative problem solving, effective language choice,
message development, and fact identification. Students
learn to review and clarify key information. Our
objective is to make reviewing and recalling lessons fun
and interactive; fact retention is supported in a way
which is easy for our naturally musical brains. Create
fun, fact-filled mnemonics your students will love to
sing! Participants collaborate, create, and share
mnemonic songs. Martin demonstrates the fundamental
steps of creating original mnemonic songs based on any
curriculum theme or lesson. Facilitate group songwriting
in your classroom. Martin's process transfers easily
into your classroom at any grade.
Sat 11:30 AM,
Plaza Ballroom
Crank Up Your Classroom
with QuaverMusic.com!
Clinician(s): Graham Hepburn,
QuaverMusic.com; Chris Murphy, QuaverMusic.com
Presider: Eric Linsner, Chelmsford
Public Schools
Ignite your kids' imagination with
a high-energy mix of creativity and 21st century
technology! Learn techniques that bring general music
concepts to life for today's kids. Session includes
Improv activities, IWB's, Video, Online classrooms and
Kids Virtual World. ALL-NEW session presented by Quaver
(Graham Hepburn)!
Sat 11:30 AM,
Waterfront 2
Clinic
Elementary and Middle
School Band...Where Creation and Re-Creation Exist in
Harmony
Clinician(s): Dr. Deborah Sheldon,
Temple University/FJH Music
Presider: Dr. Matthew Finnegan,
Boston College High School
"You want my band kids to compose?
Improvise? There's no time! I have a concert to prepare
for!" In this session, we will look at methods for
incorporating composing and improvisation into the band
performance setting to bolster student motivation,
performance, and musical growth. This practice
reinforces development of students' musical identities
as music creators AND re-creators. Directors who
incorporate such methods experience re-energizing by
adding a novel, creative twist to the traditional
practice of re-creation. Students who think and act like
composers and improvisers, as well as guidance towards
achievable goals, tend to view participation in band as
multi-dimensional.
Sat 11:30 AM,
Waterfront 3
Hands-On
Modes, Meters, and Movement
Clinician(s): Heather Kirby, Dedham
Public Schools
Presider: Allyn Phelps, Northboro
Public Schools
Through listening, moving, singing,
and chanting, participants will gain an understanding of
the benefits of presenting a variety of modes, meters,
and movement in developing students' musicianship.
Sat 11:30 AM,
Back Bay Complex
Commercial Session
Math, Music, and Popsicle
Sticks
Clinician(s): Sharon Burch, Freddie
the Frog Books
Presider: Kris Lariviere Hill,
Mashpee Public Schools
Struggling to incorporate CORE
standards into your music class? It's easy to
incorporate CORE Math standards using rhythm patterns,
games, and Popsicle sticks. Learn how to sequence
singing games, mystery songs, and Popsicle stick lessons
to teach math while teaching music. Assessment and
interactive whiteboard resources included.
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